I have in my wallet a rectangle of wallpaper, perhaps two inches by four inches. Everyone on the team for this year’s Directed Fieldwork in Exhibit Installation course got one, handed to us by our instructor after a weekend of work installing Stories in Every Stitch at the Klondike Gold Rush National Historical Park. As he divvied up these scraps of wallpaper, he explained their meaning: “I want you to hold onto these, and whenever you think something’s going to…
Blog
Pushing the Needle: Object Based Museum and Source Community Collaborations
Thesis by Molly R. Winslow (2017)
More than Just a Novelty? Museum Visitor Interactions with 3D Printed Artifacts
Thesis by Tasia L. Williams (2017)
Exploring International Repatriation between U.S. Museums and First Nations in Canada
Thesis by Elizabeth Wessels (2017)
Alternative Voices: Exploring Museums’ Use of Technology-Based Contributory Visitor Experiences
Thesis by Rachel S. Townsend (2017)
Adopt-an-Object: Reaching Donors through Personalized Fundraising
Thesis by Stefanie Terasaki (2017)
A Gateway to Inclusion: Understanding the Structure of Autism Early Open Events in Museums
Thesis by Catherine J. Salthouse (2017)
Who Are Art Exhibitions For?: An Investigation into Narrative Choice and Public Reaction in Art Museums
Thesis by Grace J. Rotwein (2017)
What’s the Fuss?: Deaccession and Disposal of International Outfits and Garments at the Renton History Museum
Project by Kelsey E. Novick (2017)
A Museum in Context: Understanding the Practice of Independent Pop-Up Museums
Thesis by Megumi Nagata (2017)